Dones a «The Wire»

Autors/ores

  • Bruce A. Williams University of Virginia
  • Andrea L. Press University of Virginia

Resum

En aquest treball s’analitza la representació de la dona en el popular programa de televisió The Wire (El cable). Discutim com, mentre que els escriptors intenten retratar la raça, el crim i la vida a les ciutats amb precisió sociològica, les caracteritzacions de la dona i de la violència contra la dona no són especialment complexes o realistes. En particular, el delicte de violació està infrarepresentat. Encara que l’espectacle presenta diverses dones competents i amb èxit professional, en general, el retrat de les dones de classe baixa difereix significativament del dels homes de classe baixa. Així, presenta els personatges femenins molt menys solidaris i fins i tot en demonitza uns quants. El programa sucumbeix, doncs, a les normes sexistes i patriarcals que caracteritzen gran part de les representacions de la dona en productes d’entreteniment popular. Alguns postulen que aquesta asimetria de la representació de gènere és el resultat de l’experiència del carrer fonamentalment androcèntrica dels escriptors del programa.

Paraules clau

The Wire, dones, violació, afroamericanes, mare, televisió

Referències

ANDERSON, E. (1999). Code of the Street: Decency, Violence, and the Moral Life of the Inner City. New York: Norton.

AULT, E. (2012). “’You Can Help Yourself/but Don’t Take Too Much’: African American Motherhood on The Wire”. Television and New Media, Volume 14, Issue 5, pp. 386-401.

BOURGOIS, P. (2003). In Search of Respect: Selling Crack in El Barrio. New York: Cambridge University Press.

CAREY, K. (2007). “A Show of Honesty”. The Guardian, February 13, 2007. http://www.theguardian.com/commentisfree/2007/feb/13/thewire . Accessed April 3, 2017.

DOW, B. (1996). Prime-Time Feminism: Television, Media Culture, and the Women’s Movement Since 1970. Philadelphia: University of Pennsylvania Press.

GOFFMAN, A. (2014). On The Run. New York: Picador.

ITZKOFF, D. (2014). “For ‘Game of Thrones,’ Rising Unease Over Rape’s Recurring Role”. New York Times, March 2, 2014. http://www.nytimes.com/2014/05/03/arts/television/for-game-of-thronesrising-unease-over-rapes-recurring-role.html?_r=0 . Accessed April 4, 2017.

KENNEDY, L. and SHAPIRO, S. (eds). (2012). The Wire: Race, Class, and Genre. Ann Arbor: University of Michigan Press.

KOEHLER, S. (2014). “The Sexual Politics of Nudity on HBO’s Hit Television Shows”. Pacific Standard, June 30, 2014. http://www.psmag.com/books-and-culture/sexual-politics-full-frontal-nudityhbos-hit-television-shows-84737 . Accessed April 4, 2017.

LAUZEN, M. M. (2015). “It’s a Man’s (Celluloid) World: On-Screen Representations of Female Characters in the Top 100 Films of 2014”. http://womenintvfilm.sdsu.edu/files/2014_Its_a_Mans_World_Report.pdf . Accessed April 4, 2017.

LEAP, J. (2012). Jumped in: What Gangs Taught Me About Violence, Drugs, Love and Redemption. Boston: Beacon.

LIPPMAN, L. (2009). “The Women of The Wire (No, Seriously)”. In: ALVAREZ, R. (ed.), The Wire: Truth be Told, New York: Grove Press, pp. 54-60.

LOTZ, A. D. (2006). Redesigning Women: Television After the Network Era. Urbana: University of Illinois Press.

MILLER, R. and TRAISTER, R. (2007). “The Best TV Show of All Time”. Salon, September 15, 2007. http://www.salon.com/2007/09/15/best_show/ . Accessed April 4, 2017.

MOORE, M.H. and BRAGA, A. A. (2003). “Measuring and Improving Police Performance: The Lessons of Compstat and its Progency”. Policing: An International Journal of Police Strategies and Management, 26:3, pp. 439-453.

NEWMAN, M. and LEVINE, E. (2011). Legitimating Television: Media Convergence and Cultural Status. London: Routledge.

OLMSTEAD, K. (2011). The Wire: The Untold History of Television. New York: Harper Collins.

POTTER, T. and MARSHALL, C.W. (eds.). (2009). The Wire: Urban Decay and American Television. London: Bloomsbury Academic.

ROUSH, M. (2013). “Showstoppers: The 60 Greatest Dramas of All Time”. TV Guide. Pp. 16-17.

SIMON, D. and BURNS, E. (1998). The Corner: A Year in the life of an Inner-City Neighborhood”. New York: Broadway Books.

SMITH, S. L. (2008). “Gender Stereotypes: An analysis of Popular Films and TV”. http://www.seejane.org/wp-content/uploads/GDIGM_Gender_Stereotypes.pdf . Accessed April 17, 2017.

STACEY, J. (2008). “The Missing Feminist Revolution in Sociology.”

ULABY, N. (2013). “Working Women on Television: A Mixed Bag”. NPR Radio IQ May 18, 2013. http://www.npr.org/sections/monkeysee/2013/05/18/184832930/workingwomen-on-television-a-mixed-bag-at-best . Accessed April 4, 2017.

VENKATESH, S. A. (2008). Gang Leader for a Day: a Rogue Sociologist Takes to the Streets. New York: Penguin Books.

— (2009). Off the Books: The Underground Economy of the Urban Poor. Cambridge, Massachusetts: Harvard University Press.

WILSON, W. J. (1997). When Work Disappears: The World of the New Urban Poor. New York: Vintage.

Biografies de l'autor/a

Bruce A. Williams, University of Virginia

Ambassador Henry J. Taylor Professor of Media Studies

Andrea L. Press, University of Virginia

William R. Kenan, Jr. Professor of Media Studies and Sociology

Publicades

2017-06-27

Descàrregues

Les dades de descàrrega encara no estan disponibles.