Mujeres en «The Wire»
Resumen
En este trabajo se analiza la representación de la mujer en el popular programa de televisión The Wire (El cable). Discutimos cómo, mientras que los escritores intentan retratar la raza, el crimen y la vida en las ciudades con precisión sociológica, las caracterizaciones de la mujer y de la violencia contra la mujer no son especialmente complejas o realistas. En particular, el delito de violación está infrarrepresentado. Aunque el espectáculo presenta a varias mujeres competentes y con éxito profesional, en general, el retrato de las mujeres de clase baja difiere significativamente del de los hombres de clase baja. Así, presenta a los personajes femeninos mucho menos solidarios e incluso demoniza a varios. El programa sucumbe, pues, a las normas sexistas y patriarcales que caracterizan gran parte de las representaciones de la mujer en productos de entretenimiento popular. Algunos postulan que esta asimetría de la representación de género es el resultado de la experiencia de la calle fundamentalmente androcéntrica de los escritores del programa.Palabras clave
The Wire, mujeres, violación, afroamericanas, madre, televisiónCitas
ANDERSON, E. (1999). Code of the Street: Decency, Violence, and the Moral Life of the Inner City. New York: Norton.
AULT, E. (2012). “’You Can Help Yourself/but Don’t Take Too Much’: African American Motherhood on The Wire”. Television and New Media, Volume 14, Issue 5, pp. 386-401.
BOURGOIS, P. (2003). In Search of Respect: Selling Crack in El Barrio. New York: Cambridge University Press.
CAREY, K. (2007). “A Show of Honesty”. The Guardian, February 13, 2007. http://www.theguardian.com/commentisfree/2007/feb/13/thewire . Accessed April 3, 2017.
DOW, B. (1996). Prime-Time Feminism: Television, Media Culture, and the Women’s Movement Since 1970. Philadelphia: University of Pennsylvania Press.
GOFFMAN, A. (2014). On The Run. New York: Picador.
ITZKOFF, D. (2014). “For ‘Game of Thrones,’ Rising Unease Over Rape’s Recurring Role”. New York Times, March 2, 2014. http://www.nytimes.com/2014/05/03/arts/television/for-game-of-thronesrising-unease-over-rapes-recurring-role.html?_r=0 . Accessed April 4, 2017.
KENNEDY, L. and SHAPIRO, S. (eds). (2012). The Wire: Race, Class, and Genre. Ann Arbor: University of Michigan Press.
KOEHLER, S. (2014). “The Sexual Politics of Nudity on HBO’s Hit Television Shows”. Pacific Standard, June 30, 2014. http://www.psmag.com/books-and-culture/sexual-politics-full-frontal-nudityhbos-hit-television-shows-84737 . Accessed April 4, 2017.
LAUZEN, M. M. (2015). “It’s a Man’s (Celluloid) World: On-Screen Representations of Female Characters in the Top 100 Films of 2014”. http://womenintvfilm.sdsu.edu/files/2014_Its_a_Mans_World_Report.pdf . Accessed April 4, 2017.
LEAP, J. (2012). Jumped in: What Gangs Taught Me About Violence, Drugs, Love and Redemption. Boston: Beacon.
LIPPMAN, L. (2009). “The Women of The Wire (No, Seriously)”. In: ALVAREZ, R. (ed.), The Wire: Truth be Told, New York: Grove Press, pp. 54-60.
LOTZ, A. D. (2006). Redesigning Women: Television After the Network Era. Urbana: University of Illinois Press.
MILLER, R. and TRAISTER, R. (2007). “The Best TV Show of All Time”. Salon, September 15, 2007. http://www.salon.com/2007/09/15/best_show/ . Accessed April 4, 2017.
MOORE, M.H. and BRAGA, A. A. (2003). “Measuring and Improving Police Performance: The Lessons of Compstat and its Progency”. Policing: An International Journal of Police Strategies and Management, 26:3, pp. 439-453.
NEWMAN, M. and LEVINE, E. (2011). Legitimating Television: Media Convergence and Cultural Status. London: Routledge.
OLMSTEAD, K. (2011). The Wire: The Untold History of Television. New York: Harper Collins.
POTTER, T. and MARSHALL, C.W. (eds.). (2009). The Wire: Urban Decay and American Television. London: Bloomsbury Academic.
ROUSH, M. (2013). “Showstoppers: The 60 Greatest Dramas of All Time”. TV Guide. Pp. 16-17.
SIMON, D. and BURNS, E. (1998). The Corner: A Year in the life of an Inner-City Neighborhood”. New York: Broadway Books.
SMITH, S. L. (2008). “Gender Stereotypes: An analysis of Popular Films and TV”. http://www.seejane.org/wp-content/uploads/GDIGM_Gender_Stereotypes.pdf . Accessed April 17, 2017.
STACEY, J. (2008). “The Missing Feminist Revolution in Sociology.”
ULABY, N. (2013). “Working Women on Television: A Mixed Bag”. NPR Radio IQ May 18, 2013. http://www.npr.org/sections/monkeysee/2013/05/18/184832930/workingwomen-on-television-a-mixed-bag-at-best . Accessed April 4, 2017.
VENKATESH, S. A. (2008). Gang Leader for a Day: a Rogue Sociologist Takes to the Streets. New York: Penguin Books.
— (2009). Off the Books: The Underground Economy of the Urban Poor. Cambridge, Massachusetts: Harvard University Press.
WILSON, W. J. (1997). When Work Disappears: The World of the New Urban Poor. New York: Vintage.
Publicado
Descargas
Derechos de autor 2017 Bruce A. Williams, Andrea L. Press
Esta obra está bajo una licencia Creative Commons Reconocimiento 3.0 Unported.